I just re-read my blog post from last year, when I said that I wanted to read more Hispanic or Latino voices, but I did not successfully add enough to my TBR, I guess. I will look for more authors there and also more Czech authors in translation (My first book of 2023 is Katerina Tuckova's harrowing Gerta).
In terms of format, almost all of the books I read last year were ebooks. I don't think I finished a single audiobook (or maybe one and forgot to count it on Goodreads? Yikes. More for 2023!) I did pick up a crop of second-hand paperbacks while we were visiting my in-laws in Australia in August and that's where I found the two novels by Balli Kaur Jaswal and the one true-crime nonfiction book A Murder without Motive: The Killing of Rebecca Ryle by Martin McKenzie-Murray.
Uncharacteristically, I spent a *lot* of time this year reading two books that I didn't enjoy that much but that I wanted to finish as an educational experience: Ulysses by James Joyce, which I decided to finally give a shot at since it was the centenary last year when I traveled to Ireland, and the 100 Years of The Best American Short Stories collection from 2015. Also uncharacteristically, I am "cheating" at this challenge because I am still reading that goddamn Ulysses. (I get about two pages done every night before falling asleep) but decided to count it as finished anyway because I am emotionally DONE with it. I'm afraid to look at how many percent left in the ebook I have to go.
There were a few quick, snappy reads, too, by Lucy Foley and Liane Moriarty. And the longest book I read, by pages, Empire of Gold, the final installment in the Daevabad trilogy by SA Chakraborty, certainly didn't feel like a long read. In addition to that one, I continued with a few other series: Australian author Jane Harper's Force of Nature, a follow-up to The Dry using the same investigator character; two of Patricia Highsmith's Tom Ripley novels; my ThrillerFest pal Colleen Winter's second book, The Disruptors; another friend, Jasmine Silvera's, witchy, sexy, Prague-set Conjuring Moonlight; and Elizabeth George's latest in the Lynley series, Something to Hide. Aaranovitch's novel I mentioned above is also part of a series, as is the best-selling Thursday Murder Club and I may pick up more in those lines later, though I don't think I'll follow the other House of the Seasons novels by Jenn J McLeod.
What did you read this year?
Crime Fiction (Thriller, Mystery, Suspense, Dark)
*in no particular order*
Bath Haus by PJ Vernon. Excellent thriller writing, from the very first scene in a gay men's hookup spot through the ritzy lifestyles of DC to the twisty ending.
We Lie Here by Rachel Howzell Hall. Perhaps my favorite reading experience from 2022. A domestic thriller, this gets in deep to family secrets. I am probably going to auto-buy this author from now on. I've eaten up everything she's produced lately.
The Paris Apartment by Lucy Foley. Fun and fast.
56 Days by Catherine Ryan Howard. The first book I've read that's completely set during the pandemic. It follows two Irish strangers who become romantically involved on the eve of the COVID lockdown and move in together. And then there's a twist.
Djinn Patrol on the Purple Line by Deepa Anappara. Kids living in poverty in India try to solve the disappearance of their school classmates. So good, so sad, and so well written.
Something to Hide by Elizabeth George. If you've read the other TWENTY mammoth Lynley novels, c'mon, you're reading this doorstop too.
Arsenic and Adobo by Mia P Manansala. Don't read this book hungry! Very fun cozy mystery (a category I haven't been reading much of lately) set in a restaurant run by a Filipino-American family.
My Sweet Girl by Amanda Jayatissa. Delightfully dark. I was disappointed when I got to the end only because I wanted to keep reading. This, as was the case for many books I've read in the past few years, was a recommendation from the Unlikeable Female Characters podcast. The podcast is on hiatus for the moment (sadly!) but I recommend browsing their backlist for other recommendations and author interviews.
Little Secrets by Jennifer Hillier. Also wickedly fun. Hillier is also becoming one of my recent favorites.
The Finalist by Joan Long. Joan and I are both members of Sisters in Crime and I was excited to read her debut this year after corresponding with her over the years. If you liked the concept of a mystery set on an exclusive island, such as the recent movie Glass Onion, or Rachel Howzell Hall's They All Fall Down, you might want to check out this one!
One by One by Ruth Ware. Great setting in an Alpine chalet â guests of a work retreat are trapped inside with a killer.
The Lying Game by Ruth Ware. One of her earlier books and a bit different to her later style. I found this one stayed with me for a while after I closed the book.
The Body Man by Eric P Bishop. I met Eric at ThrillerFest, along with Colleen Winter. So excited to read his first book, a political thriller set in DC and dealing with taut international secrets and laconic federal agents.
Like a Sister by Kellye Garrett. Another fellow Sisters in Crime member. I just devoured this book. Kellye writes thrillers that include a fun spark of humor along with the urgency needed in the genre.
Force of Nature by Jane Harper. Set in the Australian bush. This, and The Hike, below, have similar premises and I enjoyed them both.
Dead End Girls by Wendy Heard. Perhaps the only young adult title I read this year? Definitely a satisfying read for adults too, about two teenagers trying to pull off their own disappearance. Wendy is one of the Unlikeable Female Characters podcasters and I have *loved* each of her recent novels.
The Thursday Murder Club by Richard Osman. Also a cozy mystery, this one set in a retirement community, and very fun.
A Slow Fire Burning by Paula Hawkins
Kismet by Amina Akhtar. Watch those ravens! Perhaps this can be categorized as social horror?
Her Dark Lies by JT Ellison
Leave No Trace by Mindy Mejia. My favorite part of this was the wintery, outdoorsy setting.
Her Perfect Life by Hank Phillippi Ryan
Ripley's Game & Ripley Underground by Patricia Highsmith
The Final Girl Support Group by Grady Hendrix. If Kismet can't be defined as horror, then this is possibly the only horror novel I read this year? I have been watching a lot more horror on TV though, so I may incorporate more in my reading list for 2023.
Have You Seen Me? by Kate White
A Murder Without Motive: The Killing of Rebecca Ryle (Nonfiction) by Martin McKenzie-Murray
Descent by Tim Johnston. As I said before with The Current, I love his writing.
The Quarry Girls by Jess Laurey. This was set in the 90s and is inspired by real events.
Over Her Dead Body by Susan Walter
The Hike by Susi Holliday
Cold River by Liz Adair
Apples Never Fall by Liane Moriarty
Three Wishes by Liane Moriarty
The Last Anniversary by Liane Moriarty. I have now finished all the books I can get my hands on by this author. Hope she's publishing more soon!
Ulysses by James Joyce. Ugh. Will I ever truly finish?
Dava Shastri's Last Day by Kirthana Ramisetti. This was a touching book with a lot more edge than I had expected. I would recommend it if you like a bit of near-future sci-fi in your family tales.
Simmering Season by Jenn J McLeod
Boy, Snow, Bird by Helen Oyeyemi. I read this when I was woozy with COVID and so need to go back and re-read.
The Unlikely Adventures of the Shergill Sisters by Balli Kaur Jaswal. I love how this author, like Moriarty above, mixes in wry humor and *almost* absurdist scenarios.
Erotic Stories for Punjabi Widows by Balli Kaur Jaswal
Cloudstreet by Tim Winton. This is a beautiful novel set in Perth, about two families who share a house over a few decades. This is the second book I've read by this author (The Riders was the first) and I really like the edge of mystical paired with the nearly humdrum realism of many scenes.
100 Years of the Best American Short Stories, edited by Lorrie Moore & Heidi Pitlor. I read this because I wanted to work on more short stories but I nearly stopped several times in the middle. Many of these stories felt completely joyless to me and not even that artful. Maybe it was me. I'll move on to a few other anthologies I have collected.
The Widow Killer by Pavel Kohout. I found this paperback of the English translation in a dusty second-hand store in Nevada but it's set right here in Prague. It's a police procedural about a serial killer during the end of World War II.
The Remains of the Day by Kazuo Ishiguro. I am so late to the party on this one. Beautiful.
Inland by TÃ©a Obreht. Not what I expected when I picked this one up, but Iâm glad I read it.
Sci-Fi & Fantasy
The Disruptors by Colleen Winter. Excellent second piece in this series. Looking forward to the third book!
Conjuring Moonlight by Jasmine Silvera. More please!
The Echo Wife by Sarah Gailey. Probably my second favorite reading experience this year, but I don't think all readers are going to enjoy it. Could this also be social horror? Possibly.
Meet me in Another Life by Catriona Silvey. I really liked this concept of strangers who keep meeting and re-meeting through many lives. Much of it was touching.
The Empire of Gold by SA Chakraborty. Sad the series ended, but I enjoyed this last installment.
Klara and the Sun by Kazuo Ishiguro. A necessary read if you like stories about androids, and a beautifully written and quite nostalgic one.
The Grace Year by Kim Liggett.
The Daughter of Doctor Moreau by Silvia Moreno-Garcia. This was so atmospheric! As with the other book I have read from this author (Mexican Gothic) I wanted to stay in the world after I finished the last page.
The Invisible Life of Addie LaRue by VE Schwab. Also very touching.
Whispers Underground by Ben Araronovitch. Witty and fun.
Like Me by Haley Phelan (ebook)
They Never Learn by Layne Fargo (audiobook; the author is another of the Unlikeable Female Characters podcasters)
Next up? Not sure!
I have Little Pretty Things by Lori Rader-Day and Daisy Darker by Alice Feeney on hold at the library and a bunch of thrift store paperbacks I collected last summer.
Any other recommendations?
Happy Halloween! In honor of the spooky season, here are three haunting books I’ve read recently. (Figuratively haunting; none of the plots are truly paranormal.)
The Witch Elm (UK title: The Wych Elm) by Tana French
You knew this book was going to head the list, didn’t you? I’ve been jabbering on to anyone who will listen about French’s Dublin Murder Squad novels (including at last weekend’s Halloween party, where someone confessed he wasn’t on board, WHAT? It’s OK, we can still be friends…).
The Witch Elm is her first standalone novel, and when I started it, I’ll admit to being worried. In the first half, it seemed like it stepped out of the crime genre a bit too far for my expectations. But soon, the plot got going and the immersion in the main character’s psyche hooked me.
The book centers on the question of what it means to be “lucky.” And what happens when you aren’t lucky (we could also put here, “privileged”) any longer. I don’t want to spoil anything (I’d say you shouldn’t even read the Goodreads interview with the author) so I’ll leave this really vague. Just go read the book.
Into the Water by Paula Hawkins
Hawkins wrote the blockbuster novel The Girl on the Train, later made into a movie with Emily Blunt. That book was a domestic suspense novel with an unreliable, alcoholic narrator. When Into the Water came out, I read a bunch of lukewarm-to-bad reviews that said it didn’t measure up to to the first, so I didn’t buy the book right away.
But, as usual, I shouldn’t rely on reviews other than for content expectations. I really liked it!
Into the Water goes deep into local myth about a pool in the UK where, historically, women were once tried by drowning—if she floats, she’s not a witch—and where, more recently, local suicides have drowned themselves. A woman who had once lived in the nearby village has to come back to take guardianship of her niece after her long-estranged sister dies in the pool. It has a past-present narrative that I loved, with lots of different point of view chapters from minor characters, and, while I guessed the ending a bit earlier than I usually like, it was still worth the read all the way through.
The Last Time I Lied by Riley Sager
And since I just said I don’t think that reviews have that much to do with whether I’ll like a book or not, here’s a book I didn’t love but you might! Goodreads has given it 4 stars, with a lot of the reviews stating that they preferred it to Sager’s first book, and I heard it’s been picked up for a TV series.
In my Goodreads Challenge blog post earlier this year, I wrote about The Final Girls, Sager’s first novel, which I gobbled up in a day or so. I liked that one so much I spent a whole Audible credit on the new book when it came out. Well, maybe I should have read it on my Kindle instead. Maybe it was the audiobook format that didn’t work for me. It had all the usual things I generally like—a creepy situation (teenage girls go missing from summer camp), another past-present narrative, a seemingly unreliable narrator—but somehow I was just finishing it because, goddamnit, I only get one “free” Audible credit a month (yes, I realize I actually pay for those credits). I’d say, give this one a try if you’re in the mood for something creepy. But go get French’s and Hawkins’ books first.
What have you been reading? Anything deliciously creepy?
This past week, my friend Jasmine Silvera released the second book in her Grace Bloods series, Dancer’s Flame. I've known Jasmine since she was in Prague writing her first book (and, um, actually I’m officially the first book’s godmother and so kind of invested in this…) and I'm thrilled to see her universe, set in a dystopian future Prague, come to life in a second volume. The story centers on Isela Vogel, a dancer who can call on gods through the power of dance and her relationship with the city’s most powerful necromancer, Azrael.
Jasmine did a great job showcasing the city, but often when I pick up a book about a place I know well, I worry if my own experiences are going to take away from my enjoyment of the setting. For example, my own familiarity with Prague makes me hypervigilant to the details, but it’s really not fair to expect an author to always put every cobblestone in the right place. For most books, it's more about catching the spirit of a location and emphasizing only the details that evoke the sensation of being there.
News from Beth
Updates and musings.